Voices of Identities - Vocal Music and De/con/struction of Communities in the Former Habsburg Areas (Hardcover, Unabridged edition)


European history has rarely met changes as rapid, dense and radical as those that have taken place in the regions of the former Austro-Hungarian Empire over the past hundred years. This cultural area has experienced political conflicts, the setting and dissolution of borders, and the construction of similarities, differences, and ever-new identities.Being tied to text, vocal music genres reflect such changes especially strongly. Operas and operettas, oratorios and cantatas, choir music, folksongs, and pop and rock hits have all helped to establish identities in many ways, connecting people on national, ethnical, local or social levels.The contributions to this volume represent the proceedings of the Annual Congress of the Austrian Society for Musicology (OEsterreichische Gesellschaft fur Musikwissenschaft - OEGMw) in 2014. They open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day. As such, the book places the extensively discussed concept of Nationalism in music in the wider context of identity building.

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Product Description

European history has rarely met changes as rapid, dense and radical as those that have taken place in the regions of the former Austro-Hungarian Empire over the past hundred years. This cultural area has experienced political conflicts, the setting and dissolution of borders, and the construction of similarities, differences, and ever-new identities.Being tied to text, vocal music genres reflect such changes especially strongly. Operas and operettas, oratorios and cantatas, choir music, folksongs, and pop and rock hits have all helped to establish identities in many ways, connecting people on national, ethnical, local or social levels.The contributions to this volume represent the proceedings of the Annual Congress of the Austrian Society for Musicology (OEsterreichische Gesellschaft fur Musikwissenschaft - OEGMw) in 2014. They open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day. As such, the book places the extensively discussed concept of Nationalism in music in the wider context of identity building.

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Product Details

General

Imprint

Cambridge Scholars Publishing

Country of origin

United Kingdom

Release date

April 2018

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

Editors

,

Dimensions

212 x 148mm (L x W)

Format

Hardcover - With dust jacket

Pages

198

Edition

Unabridged edition

ISBN-13

978-1-5275-0808-8

Barcode

9781527508088

Categories

LSN

1-5275-0808-0



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