Culture of Accidents - Unexpected Knowledges in Early Modern England (Hardcover)


Collapsing buildings, unexpected meetings in the marketplace, monstrous births, encounters with pirates at sea--these and other unforeseen "accidents" at the turn of the seventeenth century in England acquired unprecedented significance in the early modern philosophical and cultural imagination. Drawing on intellectual history, cultural criticism, and rhetorical theory, this book chronicles the narrative transformation of "accident" from a philosophical dead end to an astonishing occasion for revelation and wonder in early modern religious life, dramatic practice, and experimental philosophy.
Embracing the notion that accident was a concept with both learned and popular appeal, the book traces its evolution through Aristotelian, Scholastic, and Calvinist thought into a range of early modern texts. It suggests that for many English writers, accidental events raised fundamental questions about the nature of order in the world and the way that order should be apprehended.
Alongside texts by such canonical figures as Shakespeare and Bacon, this study draws on several lesser-known authors of sensational news accounts about accidents that occurred around the turn of the seventeenth century. The result is a cultural anatomy of accidents as philosophical problem, theatrical conceit, spiritual landmark, and even a prototype for Baconian "experiment," one that provides a fresh interpretation of the early modern engagement with contingency in intellectual and cultural terms.

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Product Description

Collapsing buildings, unexpected meetings in the marketplace, monstrous births, encounters with pirates at sea--these and other unforeseen "accidents" at the turn of the seventeenth century in England acquired unprecedented significance in the early modern philosophical and cultural imagination. Drawing on intellectual history, cultural criticism, and rhetorical theory, this book chronicles the narrative transformation of "accident" from a philosophical dead end to an astonishing occasion for revelation and wonder in early modern religious life, dramatic practice, and experimental philosophy.
Embracing the notion that accident was a concept with both learned and popular appeal, the book traces its evolution through Aristotelian, Scholastic, and Calvinist thought into a range of early modern texts. It suggests that for many English writers, accidental events raised fundamental questions about the nature of order in the world and the way that order should be apprehended.
Alongside texts by such canonical figures as Shakespeare and Bacon, this study draws on several lesser-known authors of sensational news accounts about accidents that occurred around the turn of the seventeenth century. The result is a cultural anatomy of accidents as philosophical problem, theatrical conceit, spiritual landmark, and even a prototype for Baconian "experiment," one that provides a fresh interpretation of the early modern engagement with contingency in intellectual and cultural terms.

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Product Details

General

Imprint

Stanford University Press

Country of origin

United States

Release date

September 2002

Availability

Expected to ship within 12 - 17 working days

First published

September 2002

Authors

Dimensions

229 x 152 x 24mm (L x W x T)

Format

Hardcover - Cloth / Cloth / Cloth

Pages

240

ISBN-13

978-0-8047-3556-8

Barcode

9780804735568

Categories

LSN

0-8047-3556-5



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