Driving Visions - Exploring the Road Movie (Paperback, 1st ed)


"This is a superbly conceived, thoughtfully organized, and well-written study of a subject-- the 'road movie'-- that has lacked anything close to a coherent, book-length overview.... It will make an ideal course text and should also have a wide appeal to non-academic readers." -- Scott Simmon, author of The Films of D. W. Griffith and King Vidor, American

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself.

This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.


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Product Description

"This is a superbly conceived, thoughtfully organized, and well-written study of a subject-- the 'road movie'-- that has lacked anything close to a coherent, book-length overview.... It will make an ideal course text and should also have a wide appeal to non-academic readers." -- Scott Simmon, author of The Films of D. W. Griffith and King Vidor, American

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself.

This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

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Product Details

General

Imprint

University Of Texas Press

Country of origin

United States

Release date

July 2002

Availability

Expected to ship within 12 - 17 working days

First published

July 2002

Authors

Dimensions

229 x 152 x 20mm (L x W x T)

Format

Paperback - Trade

Pages

334

Edition

1st ed

ISBN-13

978-0-292-74732-6

Barcode

9780292747326

Categories

LSN

0-292-74732-2



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