Mapping the Social Body - Urbanisation, the Gaze, and the Novels of Galdos (Paperback, New edition)


Influenced by trends in medicine, town planning and social etiquette, Madrid's middle class viewed urban growth with apprehension in the second half of the nineteenth century. In Mapping the Social Body, Collin McKinney examines manifestations and critiques of that reaction in the work of Benito Perez Galdos, Spain's greatest modern novelist. Drawing on a wide range of recent cultural theory as well as contemporary non-literary texts, this book provides modern readers with a metatextual map of Galdos's Madrid and Spanish society as they experienced urbanisation. In a century obsessed with all things visual, the map became a useful model with which the recently formed middle class hoped to reform a social body ravaged by disease, crime, prostitution, and class conflict. This study finds that Galdos's attitude toward the middle class and its mapping enterprise changes over time. Whereas his early novels depict dividing practices as reliable and perhaps necessary, his later works show Spain's social maps to be subjective and discriminatory. In La desheredada, Tormento, and La de Bringas the social body is mapped according to class, genealogy, gender and physical difference. Physically and morally ambiguous, the characters in Fortunata y Jacinta, Nazarin, and Misericordia are unmappable and thus resistant to the bourgeois categorising gaze.

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Product Description

Influenced by trends in medicine, town planning and social etiquette, Madrid's middle class viewed urban growth with apprehension in the second half of the nineteenth century. In Mapping the Social Body, Collin McKinney examines manifestations and critiques of that reaction in the work of Benito Perez Galdos, Spain's greatest modern novelist. Drawing on a wide range of recent cultural theory as well as contemporary non-literary texts, this book provides modern readers with a metatextual map of Galdos's Madrid and Spanish society as they experienced urbanisation. In a century obsessed with all things visual, the map became a useful model with which the recently formed middle class hoped to reform a social body ravaged by disease, crime, prostitution, and class conflict. This study finds that Galdos's attitude toward the middle class and its mapping enterprise changes over time. Whereas his early novels depict dividing practices as reliable and perhaps necessary, his later works show Spain's social maps to be subjective and discriminatory. In La desheredada, Tormento, and La de Bringas the social body is mapped according to class, genealogy, gender and physical difference. Physically and morally ambiguous, the characters in Fortunata y Jacinta, Nazarin, and Misericordia are unmappable and thus resistant to the bourgeois categorising gaze.

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Product Details

General

Imprint

The University of North Carolina Press

Country of origin

United States

Series

North Carolina Studies in the Romance Languages and Literatures

Release date

July 2010

Availability

Expected to ship within 10 - 15 working days

First published

August 2010

Authors

Dimensions

229 x 152 x 15mm (L x W x T)

Format

Paperback

Pages

191

Edition

New edition

ISBN-13

978-0-8078-9298-5

Barcode

9780807892985

Categories

LSN

0-8078-9298-X



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