Musical Travels Through England. by Joel Collier, ... (Paperback)


The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT112548Joel Collier = John Bicknell. Also attributed to George Veal, Thomas Day, Alexander Bicknell or Peter Beckford. A satire on Charles Burney's 'The present state of music in France and Italy' and 'The present state of music in Germany, the Netherlands, anLondon: printed for G. Kearsly, 1774. viii,59, 1]p.; 8

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Product Description

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT112548Joel Collier = John Bicknell. Also attributed to George Veal, Thomas Day, Alexander Bicknell or Peter Beckford. A satire on Charles Burney's 'The present state of music in France and Italy' and 'The present state of music in Germany, the Netherlands, anLondon: printed for G. Kearsly, 1774. viii,59, 1]p.; 8

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Product Details

General

Imprint

Gale Ecco, Print Editions

Country of origin

United States

Release date

May 2010

Availability

Expected to ship within 10 - 15 working days

Authors

Dimensions

189 x 246 x 4mm (L x W x T)

Format

Paperback - Trade

Pages

74

ISBN-13

978-1-140-68903-4

Barcode

9781140689034

Categories

LSN

1-140-68903-7



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