Summers with Lincoln - Looking for the Man in the Monuments (Hardcover)


Across the country, in the middle of busy city squares and hidden on quiet streets, there are nearly 200 statues erected in memory of Abraham Lincoln. No other American has ever been so widely commemorated.A few years ago, anticipating the bicentennial of Lincolnas birth in 2009, Jim Percoco, a history teacher with a passion for both Lincoln and public sculpture, set off to see what he might learn about some of these monumentsawhat they meant when they were unveiled, and what they mean to us today. The result is this captivating book, a fascinating chronicle of four summers on the road looking for Lincoln stories in statues of marble and bronze. Of all the monuments, Percoco selects seven emblematic ones. He begins and ends the journey in Washington, starting with Thomas Ballas Emancipation Group, erected east of the Capitol in 1876 with private funds from African Americans, and dedicated by Frederick Douglass. Here, Percoco and his multi-ethnic band of teenage historians explore the impact of this Freedmanas Monument showing Lincoln and a kneeling freed bondsperson. What does the statute say about race and freedom to todayas Americans? What did Ballaand his sponsorsawant it to say? From Augustus Saint-Gaudensas majestic Standing Lincoln of 1887 in Chicago, which helped move our image of Lincoln from great emancipator to that of statesman to Paul Manshipas 1932 Lincoln the Hoosier Youth, in Fort Wayne, Indiana, which glows with an art deco sleekness, Percoco mines a wealth of Lincoln legaciesaand our reactions to them expressed across generations. Here are controversial gems like Barnardas 1917 tribute in Cincinnati and Borglumas Seated Lincoln, struggling with the pain of leadership, beckoning visitors to sit next to him on his metal bench in Newark, New Jersey. At each stop, Percoco chronicles the history of each monument, spotlighting its artistic, social, political, and cultural origins. His descriptions of works so often seen as clichA(c)s tease fresh meaning from mute stone and cold metalaraising provocative questions not just about who Lincoln might have been, but also about what weave wanted him to be in the monuments weave built.

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Across the country, in the middle of busy city squares and hidden on quiet streets, there are nearly 200 statues erected in memory of Abraham Lincoln. No other American has ever been so widely commemorated.A few years ago, anticipating the bicentennial of Lincolnas birth in 2009, Jim Percoco, a history teacher with a passion for both Lincoln and public sculpture, set off to see what he might learn about some of these monumentsawhat they meant when they were unveiled, and what they mean to us today. The result is this captivating book, a fascinating chronicle of four summers on the road looking for Lincoln stories in statues of marble and bronze. Of all the monuments, Percoco selects seven emblematic ones. He begins and ends the journey in Washington, starting with Thomas Ballas Emancipation Group, erected east of the Capitol in 1876 with private funds from African Americans, and dedicated by Frederick Douglass. Here, Percoco and his multi-ethnic band of teenage historians explore the impact of this Freedmanas Monument showing Lincoln and a kneeling freed bondsperson. What does the statute say about race and freedom to todayas Americans? What did Ballaand his sponsorsawant it to say? From Augustus Saint-Gaudensas majestic Standing Lincoln of 1887 in Chicago, which helped move our image of Lincoln from great emancipator to that of statesman to Paul Manshipas 1932 Lincoln the Hoosier Youth, in Fort Wayne, Indiana, which glows with an art deco sleekness, Percoco mines a wealth of Lincoln legaciesaand our reactions to them expressed across generations. Here are controversial gems like Barnardas 1917 tribute in Cincinnati and Borglumas Seated Lincoln, struggling with the pain of leadership, beckoning visitors to sit next to him on his metal bench in Newark, New Jersey. At each stop, Percoco chronicles the history of each monument, spotlighting its artistic, social, political, and cultural origins. His descriptions of works so often seen as clichA(c)s tease fresh meaning from mute stone and cold metalaraising provocative questions not just about who Lincoln might have been, but also about what weave wanted him to be in the monuments weave built.

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Product Details

General

Imprint

Fordham University Press

Country of origin

United States

Release date

February 2008

Availability

Expected to ship within 10 - 15 working days

First published

March 2008

Authors

Foreword by

Dimensions

229 x 152 x 28mm (L x W x T)

Format

Hardcover - Cloth / Cloth

Pages

292

ISBN-13

978-0-8232-2895-9

Barcode

9780823228959

Categories

LSN

0-8232-2895-9



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