Tell it to a Stranger - Stories from the 1940s (Paperback, Reprinted edition)


'One of my favourite Persephone books,' said Charlie Lee-Potter on Radio 4's Open Book, 'is a collection of short stories by Elizabeth Berridge first published in 1947 when she was 28.They are a revelation to me, I was transfixed by the quality of the writing. It seemed to me that they are quite radical stories, they were quite sharp and hard and disruptive as ideas.' In his Preface A N Wilson writes: 'She is a novelist of distinction who is also - and this is a rarity - equally at home in the quite different medium of the short story, with its need for an iron discipline and control. Many of the masters of this genre, carried away by their cleverness, either convey or actually possess the quality of heartlessness. Others - and one thinks primarily of Chekhov - are able to retain the discipline of the medium but suffuse its tight confines with warmth. This is the quality of Elizabeth Berridge's stories which sends us back to them, which makes us read and re-read until they have become friends.' In "The Tablet" Isabel Quigly wrote about Elizabeth Berridge's 'remarkable capacity for taking one inside the world of her short stories and showing what happens to the people, where they belong, what they feel.' She too invoked Chekhov: 'It is there that she should be seen, at the highest level of short-story writing, without stereotypes, without foregone conclusions, with deep humanity and a recognisable voice.'

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Product Description

'One of my favourite Persephone books,' said Charlie Lee-Potter on Radio 4's Open Book, 'is a collection of short stories by Elizabeth Berridge first published in 1947 when she was 28.They are a revelation to me, I was transfixed by the quality of the writing. It seemed to me that they are quite radical stories, they were quite sharp and hard and disruptive as ideas.' In his Preface A N Wilson writes: 'She is a novelist of distinction who is also - and this is a rarity - equally at home in the quite different medium of the short story, with its need for an iron discipline and control. Many of the masters of this genre, carried away by their cleverness, either convey or actually possess the quality of heartlessness. Others - and one thinks primarily of Chekhov - are able to retain the discipline of the medium but suffuse its tight confines with warmth. This is the quality of Elizabeth Berridge's stories which sends us back to them, which makes us read and re-read until they have become friends.' In "The Tablet" Isabel Quigly wrote about Elizabeth Berridge's 'remarkable capacity for taking one inside the world of her short stories and showing what happens to the people, where they belong, what they feel.' She too invoked Chekhov: 'It is there that she should be seen, at the highest level of short-story writing, without stereotypes, without foregone conclusions, with deep humanity and a recognisable voice.'

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Product Details

General

Imprint

Persephone Books Ltd

Country of origin

United Kingdom

Release date

March 2000

Availability

Expected to ship within 12 - 17 working days

Authors

Preface by

Dimensions

190 x 140 x 18mm (L x W x T)

Format

Paperback

Pages

224

Edition

Reprinted edition

ISBN-13

978-1-903155-04-2

Barcode

9781903155042

Categories

LSN

1-903155-04-5



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