The Creative Suffering of God (Paperback, Reissue)


The theme that God suffers with his world has become a familiar one in recent years, but a careful examination is needed of what it means to talk about the suffering of God, avoiding the danger of a merely sentimental belief. This book offers a consistent way of thinking about a God who suffers supremely and yet is still the kind of God to whom the Christian tradition has witnessed, and also about a God who suffers universally and yet is still present uniquely in the cross of Christ. It is at once both a survey of recent thought about the suffering of God and a proposal for a way forward in this important area of Christian theology. The author surveys four main trends of recent thought: the "theology of the cross" in modern German theology (as represented particularly in the work of Karl Barth, Jurgen Moltmann and Eberhard Jungel); American process theology; the "death of God" theology and the rejection of the whole idea of divine passibility by modern followers of classical theism. This thematic structure enables an idea of divine suffering to be developed throughout the book, affirming that God freely chooses to limit Himself, to suffer change, to journey through time and even to

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The theme that God suffers with his world has become a familiar one in recent years, but a careful examination is needed of what it means to talk about the suffering of God, avoiding the danger of a merely sentimental belief. This book offers a consistent way of thinking about a God who suffers supremely and yet is still the kind of God to whom the Christian tradition has witnessed, and also about a God who suffers universally and yet is still present uniquely in the cross of Christ. It is at once both a survey of recent thought about the suffering of God and a proposal for a way forward in this important area of Christian theology. The author surveys four main trends of recent thought: the "theology of the cross" in modern German theology (as represented particularly in the work of Karl Barth, Jurgen Moltmann and Eberhard Jungel); American process theology; the "death of God" theology and the rejection of the whole idea of divine passibility by modern followers of classical theism. This thematic structure enables an idea of divine suffering to be developed throughout the book, affirming that God freely chooses to limit Himself, to suffer change, to journey through time and even to

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