Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that -- while committed to representing the past -- must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations.
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Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that -- while committed to representing the past -- must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations.
Imprint | Cornell University Press |
Country of origin | United States |
Release date | December 2000 |
Availability | Expected to ship within 10 - 15 working days |
Authors | Keith Moxey |
Dimensions | 235 x 155 x 15mm (L x W x T) |
Format | Hardcover |
Pages | 192 |
Edition | illustrated edition |
ISBN-13 | 978-0-8014-3801-1 |
Barcode | 9780801438011 |
Categories | |
LSN | 0-8014-3801-2 |